The Classical Theatre of Harlem

10th Anniversary Season

Welcome to The Classical Theatre of Harlem's 10th Anniversary Season

Thursday, February 05, 2009 through Sunday, October 11, 2009

Subscribe today to the Award winning Classical Theatre of Harlem's 10th Anniversary Season!

Three timeless classics for only $90! Click here to buy now!

THREE SISTERS by Anton Chekov
February, 2009
Considered by many to be one of the greatest plays ever written, Chekov's Three Sisters offers audiences a chance to consider the spiritual paralysis that keeps us from pursuing our dreams, the feeling of unlived lives and the longing for meaning. The result is an uncanny blend of the painful and trivial, the ordinary and the catastrophic. Conventional boundaries between comedy and tragedy are deliberately blurred, and things are seldom what they seem in one of the theatre's most enigmatic and beautiful explorations of our pursuit of happiness.

SUPREME JEALOUS DIVINE by Alfred Preisser and Randy Weiner
an adaptation of Moliere's TARTUFFE
May, 2009
Tartuffe, or The Imposter, is a timeless story of religious hypocrisy and opportunism. As with previous works (Medea, Electra, Trojan Women, Caligula, Native Son) the Classical Theatre of Harlem will create an original adaptation of Moliere's Tartuffe, set during the apex of the Harlem Renaissance and inspired by the work of Father Divine.

THE GREAT MacDADDY by Paul Carter Harrison
September, 2009
CTH will present the first New York revival of this OBIE Award winning play. Originally staged in a 1974 production that featured Al Freeman, Jr., Phylicia Rashad, Cleavon Little and Hattie Winston, The Great MacDaddy is an episodic journey across 20th century America. The Great MacDaddy begins as a princely bootlegger, a prohibition era hustler in search of his lost friend Wine, who holds the mysteries of the race. Insightful, outrageous and heartbreaking, Paul Carter Harrison's play is a classic.

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That giant-killer of a company, the Classical Theater of Harlem is a troupe that makes a habit of locating the most challenging works in the canon and knocking them off as if with a slingshot. - The New York Times